"According to Lucy O'Brien, author of Madonna: Like an Icon, the album artwork was on-par with Andy Warhol's concept of pop art.[23] She felt that the image was a mixture of innocence, idealism, while incorporating 50s-style Technicolor and hand tinted color, characteristic of Warhol's silkscreen printed design, prevalent in the 60s. Jeri Heiden, the album's cover designer commented, "She was already highly aware of the value of her image and was in control of it. After I took the photo, it appeared as if she was floating—her clothing was not visible. She took on the appearance of a marble statue, goddess-like."[23] O'Brien felt that the artwork heralded the arrival of a new Madonna, while drawing on the enduring appeal of her celluloid icon Marilyn Monroe. "With this picture, Madonna made explicit the connection between Warhol and herself, the vivid nexus between pop art and commerce. The late 1980s marked a new era of the pop artist as a brand, and Madonna became the first one to exploit this."http://en.wikipedia.org/wiki/True_Blue_(Madonna_album)Δηλαδή χωρίς πολλά πολλά.